“Population 02”

Watsonville Patio

Farren Music America

Watsonville Patio’s third album, “Population 02,” is yet another sign that this is the band to keep your eyes on.

Like Radiohead, Watsonville Patio grow exponentially with each new album. Its second release, “Hotel Rosalind,” far surpassed its self-titled debut, and “Population 02” makes even the stellar “Rosalind” pale in comparison.

The reason can be summed up in two words: Dylan Brock. Brock joined the group on guitar in time to play on only two tracks of “Rosalind,” but his tasteful virtuosity is present on every track of “Population 02.”

The album kicks off with “Charmed,” a catchy pop-rock tune in true Watsonville style. If for some reason “Charmed” doesn’t peak your interest, the next song, “Changed Your Mind” surely will. Both tracks showcase Watsonville’s other greatest asset, the vocals of Janice Grube.

Grube’s voice captures the richness of Natalie Merchant or Margo Timmins but with a distinct sound of its own. With just one listen you’ll be hooked.

Another asset of “Population 02” is its variety. While its core sound is still reminiscent of rocking R.E.M., on its latest release the band mixes it up quite a bit.

“First Stop Tulsa” has the rambling rhythm of a Johnny Cash tune, which reaches a near fever pitch before releasing into a smooth chorus.

“Let It Be Me” is one of the nicest surprises on “Population 02.” It’s a bare bones song, with just a soft acoustic guitar and Grube’s enchanting voice to carry it through. The end result calls to mind John Lennon classics “Julia” and “Look at Me.”

The album concludes with the richest musical landscape that Watsonville Patio have yet recorded, the powerful “Tell Me Why.” The song gives Brock the perfect framework for his ambient leads, and Grube the opportunity to unleash an impassioned vocal performance.

When Grube belts out “Lord have mercy, and tell me why,” the effect is nothing short of magical.

“Population 02” is an impressive album from a great band that keeps getting better.

4 STARS

— Ben Godar